D. Mendoza

Creative Commons Licence
Red Lipstick by Dylan Joaquin Mendoza is licensed under a Creative Commons Attribution 3.0 Unported License.

Red Lipstick

 

Money is the anthem of success. So before we go out, what’s your address?

 

My ears tingle as the sensation of the music gently penetrates my ear drums and glides into my brain. It’s just the alarm of my phone going of, but I actually do like this song….

 

I’m your national anthem, god you’re so handsome, take me to the Hamptons, Bugatti Veyron…

 

Sluggishly I drag myself out of bed, wiping the sleep from my eyes. The sun hits my face and the oily surface of it boils. I’m pretty sure if my face were a country, the military would send troops over ASAP in the name of fighting terrorism. And where the fuck is my underwear? Did I lose it again? I hope some hobo in the streets of Hollywood is putting it to good use, wherever it may be. I snatch my towel from the wall and head for bathroom. It’s obvious I was out last night, and the night, the loving lady she is, left numerous marks, scratches, and even a phone number written above my crotch. Clearly, it is time to shower.  

 

As I walk in the bathroom, I notice how empty and deserted it is. I suppose everyone is in class? This actually works out because I can masturbate in the shower for once. So convenient!

 

And then, a cute high pitched voice calls out to me, telling me I’m not alone.

 

 

 

“Why hello there! It looks like someone had a rough night.” I look at the girl in the mirror and I wonder why she’s so perfect looking. Her long, perfectly straight hair looks like it was transplanted from the elegant head of Rapunzel. Striking facial structure that would make even the prudest of the prude stop and stare. Candy pink bubblegum lips any sexually aware male would die to taste. Breasts as perky and energetic as a child who had just consumed a spoon of sugar too many. Everything I want to and have tried to be but can’t. I did everything I could to be her and failed. And now she’s here to tear me apart for my sins.

 

 

 

“Scratch marks on your back….hair strewn all over the place….what are you doing with your life? What happened to making me a reality? What happened to that?” She looks at me with a look of disappointment and disgust. The bitterness of her tone far excels  the sugary sweetness of her candy shell exterior.

 

Really though, I tried! I did everything I could…I thought it would make things better, but really everything’s only gotten worse. I just wanted to be happy.

 

“Please take off your shirt.”

 

 I can’t say no to her. Her beauty…it’s entrancing. No one would say no to her. My towel drops.

 

“Oh my….these are still so underdeveloped! So tiny and quaint…it’s no wonder you don’t have a boyfriend.”

 

She’s right. No matter how I try to dress up the underdeveloped failure that is my chest, it never looks good. These days I barely can get anyone to notice me in a bar. Before all of this, even though all I could get was guys to sleep with me, at least I was noticed. Now it’s a lot more difficult…

 

“Don’t you have anything to say to me? I mean I am here, talking to you…I believe it’s a rare chance you get to confront someone in the mirror.” How nice of her to show such concern. Thinking more on it, I realize that yes, I do in fact have something to say.

 

“You’re right. I’ve turned into a complete failure. I did want to be you. I tried to be you. But it all failed. I admit it. I thought doing this would make me so much happier, but I just feel like it was all for nothing. Happy?”

 

“Haha. I suppose…” She lightly giggles and smiles at me. She’s so perfect. I can’t take it anymore. This needs to end now. I hate her. I hate me.

 

“I fucking hate you. I’m really sorry but…I…I need you to die for me…”

 

 

 

The girl now just stares at me, paralyzed. I realize that this is it. I am going to fucking kill this crazy bitch.

 

A switch goes off in my head and I mount the bathroom counter naked, like a crazed animal shot in the ass. I pound my fist on the clear surface of the mirror. The weakness in my arms prevents me from shattering anything, and the girl starts laughing again, her hand covering her mouth. From inside the mirror, I see her take my red lipstick and start writing the very words that have haunted me since high school: “MANEATER”, “HOMEWRECKER”, “SLUT”, “WHORE.”  I start to scream and bang my head in the mirror, and shards of glass embed themselves into my forehead, forming my own personal pageant crown. As her laughing face shatters into a million little pieces, and I find myself falling to my knees on the floor, I come to realize my own beauty. Surrounded by an ocean of shattered glass, I have become the siren of this crystal sea of failure, and through the falling drops of blood and tears, I begin to laugh. A degenerate radioactive beauty queen. Never again will anyone touch me. Never again will I be penetrated as an object. No one judging me. I can finally accept myself and move on with this new life I’ve chosen and-

 

“Catherine? Catherine Yamamoto? Are you paying attention?” Just like the bathroom mirror, my fantasy world falls apart and my professor drags me by the hair down to Earth. Fuck.

 

 

 

“Can you translate this portion for me? It’s your turn.” He knows I’ve been daydreaming, and he looks frustrated with me. I really want to go up to him and tell him that no matter how frustrated he is with me, it is nothing compared to how frustrated I am with myself. No matter how much he dislikes me, I can guarantee I hate myself ten times more. I wonder if that would be any consolation to him.

 

 

 

“Yes sir, I can….”

 

 

 

Just another day in this bipolar roller coaster of sex, academia, and melodramatics. I can’t keep doing this.

 

 

 

**********************************

 

 

 

It’s not that I hate going to my classes. I’ve actually always enjoyed learning, and I find knowledge to be a wonderful fruit to fill the void inside myself with. But while my classmates have become brilliant and polished works of intellectual art, I still find myself straddling the line between “above-average” and “smart”. The classroom becomes a war of academic jargon I don’t understand and theoretical concepts my mind cannot grasp no matter how hard it tries.

 

 

 

People tell me I’m so unhappy because I have too much sex. “You know if you just settled down and got a boyfriend you’d probably be a lot more stable, and you could focus on your studies more. And you’re so attractive! It should be easy for you.”

 

 

 

These people…I know they mean well and stuff, but honestly does anyone think I want to live like this? Jumping from one hook-up to another? I’ve tried finding a guy to settle down with….and you know what line always gets shoved down my throat after they’re done shoving their cock down it?

 

 

 

“You’re really cute…and very charming. But you know you’re not quite my type. We can be friends though!” Oh. Can we really? No. We can’t. Let’s cut the bullshit, we’re never going to talk after this and the next time we see each other at this very bar you won’t even acknowledge me. But whatever.

 

 

 

Wait, you know what I love even MORE? When a guy takes me to dinner, tells me how awesome I am and how much he enjoys being with me, fucks me so hard the endorphins come fucking fly out of my brain, and then as we’re cuddling and getting high afterwards, he confirms the classic cliché, “If it’s too good to be true, it isn’t.” That’s right, he’s already in a relationship. These always used to bother me, but after becoming so commonplace, I learned to just let it go and conveniently leave things of mine for their lovers to find. The results on Facebook are quite entertaining to read.

 

 

 

So what’s left of me? Smart, but not smart enough for an elite private liberal arts school. Attractive, but not attractive enough for the city of Los Angeles. It’s like the lowest level of social purgatory.

 

 

 

“Catherine what did you think of the reading?” My professor demands an answer. My malformed in-eloquent opinion approaches and departs from mouth, too late to take back after one of my brilliant classmates dissects it with the scalpel of theoretical analysis and throws it back at me, dismembered and decapitated. Oh well. At least I participated.

 

 

 

And just like that, class is over. The school week may be over, but I do have to go to work tonight…I’m needed in other places. And I need to be needed in these other places so I can make money and support myself. I think about how ironic it is that a large portion of my classmates come from upper class families. Amazing private high schools. And what do I come from? What did admissions see in me?

 

 

 

Sometimes, I get really jealous of the people I know who do not have to worry about financial issues. The students who don’t have to work. The ones who can afford to take spring break trips to San Diego or Mexico, and rent a cabin on the beach with their friends. The ones who drive those cool shiny cars. Then there are students like me, the ones who have to post an advertisement on craigslist, looking for “generous” guys to take care of them. The ones for whom the beginning of the semester is terrifying purely because buying textbooks could involve jamming a dick in your mouth for money. We keep our secrets in the shadows, hidden away. If no one knows, does it really even happen n the first place? Would any of my friends or classmates even understand?

 

 

 

It is from this perspective I find myself living a dysfunctional albeit fun double life…married to academia but cheating on it with the dangerous liaison known as the real world. Of course, with all the recent changes I haven’t been able to make as much, but I sure as hell am still trying. Sometimes I manage to bring in a couple of customers, but they never stay too long. They move on to better girls. I was so good before…and now I’m near the bottom.

 

 

 

Maybe tonight will be better…

 

 

 

****************************

 

The time is 11:37. We’re on stage at midnight and I’m still not quite ready yet. My coworker, who goes by the stage name of “Dark Paradise” (“DP” for short) comes up behind me.  I shoot her a smile and in an instant her bejeweled hands go straight to my chest.

 

 

 

“Ah I think they’ve gotten bigger! You’re so sexy, Cat…the boys out there are going to love you!” I laugh. She knows how I feel about my chest and I know she’s just being nice. It’s the thought that counts right? I finish my make-up and hair, and slip on my trademark red lipstick to complete my transformation. The border has now been crossed. I’ve arrived into the land of carnal pleasure, the valley of the dolls.  The angel of pleasure is ready to go.

 

 

 

My boss then stops by to say that me, DP, and a third girl named Carmen are going to be performing together on stage as a threesome, and that we need to start prepping each other.

 

 

 

For those who don’t know, “prepping” refers to the practice of getting each other aroused for a performance. Usually we just feel up on each other’s chests, maybe make out a little. It’s never anything serious though, and we aren’t actually into each other. For us, this is life. It’s a job. We feel the same about grabbing each other’s genitals as workers at McDonald’s feel about flipping burgers.

 

 

 

When Tom calls us to the stage, we’re all very “perky” and “excited.” He introduces us one by one and the crowd goes wild. I look at DP and Carmen. I can tell we’re all a little nervous, but as soon as the music comes on, all inhibition and self-control is shredded and stripped. A driving electronic techno beat grinds through my body, and as Carmen gyrates her body manically into the sensitive softness of my thighs, the electricity of the moment entrenches me and I catch her mouth with my own. The cries of the lustful, sexually deprived, and morally impure fill the room. A dirty tension fills the air, and I feel as if I’m walking over a pool of gasoline. And all it takes is one spark to set everything on fire.

 

 

 

Fortunately for the crowd, DP supplied that spark in the form of a bottle of vodka, pouring it all over Carmen’s chest, the liquor collecting in the valley of temptation between her breasts. It’s obvious what I’m supposed to do now, and I let the desire of the patrons control my body. Normally I have no interest in women, but my desire to be wanted overrides everything else. I need and crave the attention. If a guy is aroused by me, I feel alive, and just for a little bit, the void inside me disappears. In those moments, I find happiness. And that is why I run my tongue from Carmen’s neck to her navel, ending its voyage at the lower part of her left thigh. Wanting in on the action, DP then pulls my head back, and I know what’s coming next. My submissive mouth opens wide, ready to be filled. The vodka pours over me like spring rain, soaking my body and filling my gaping mouth. Like a dog in heat, I get on all fours and crawl around the stage, whipping my hair back and forth in a circle before latching onto Carmen’s leg. I pick myself up and pop my ass into DP, to which she lovingly responds with a playful spanking. The crowd screams again, drunk off the cocktail of lust, sado-masochism, debauchery, and faux-lesbianism we’re serving on stage. And as the music fades. the crowd approaches us with applause, money, and requests for pictures. We nailed it.

 

 

 

**************

 

 

 

A bar patron comes up to me, wanting to give me a tip. He approaches me with a smile.

 

“You know I’ve been waiting a long time to meet a woman like you…you were so hot up there. “ I laugh inside my head. He doesn’t get it. Not wanting to make things awkward, I play along.

 

“I try hard…haha” I nervously reply. He pulls out a twenty dollar bill and waves it in front of me. He signals me to get closer. As his hand nears my torso, I know this can’t end well. Didn’t he see the sign out front? Is the name of the bar not obvious enough? Things are going to pop out in 5, 4, 3, 2,1…

 

“EH? Wait, you’re not a woman?” he yells, obviously taken aback as my penis dangles out in front of his face, a look of confusion coloring him in phrases and expressions of disbelief.

 

“Well, I’m in transition….you know this is a tranny bar, right? That’s why it’s called In-Between.”

 

“Oh…sorry. I really had no idea…You were awesome though! I totally thought this was a lesbian bar.” He stutters nervously, obviously shaken by the fact that he has just admitted to being sexually attracted to a transsexual. Like a defeated solider, he retreats, his precious masculinity obviously gravely wounded from being attracted to another being with a penis.

 

I was born Jacob Landry. Catherine Yamamoto is the name I picked for my new self, both a name I use on a daily basis and during performances. As a gay male, I grew distraught, wanting nothing more than the traditional heterosexual lifestyle idealized in American society. I decided to become a woman because I knew there was no getting rid of my attraction to men, and I thought being a woman would allow me to live a normal life, but things have only gotten worse. My lack of ability to love myself has caused me to become stuck in a space between genders, never being able to capture the best of either. People at school have stopped talking to me, and my family as well has discontinued their financial support. In my efforts to be the American dream, I turned myself into an abomination.

It’s lonely. Except for a voice and image in the mirror.

 

“Silly, don’t forget about me! You’ll always have me. Come see!”

 

I turn and around and look at the mirror above the bar. Seeing her there, I clench my fists and walk over.

 

Let round two begin.

 

 

 

 

 

 

 

Critique

 

Short stories can be difficult little monsters to tackle directly. Whether it’s due to the eccentricity of the topic, a convoluted plot, or flawed techniques on behalf of the writer, the truth is that sometimes a short story can simultaneously be a guilty pleasure and uncomfortable experience. With regards to Dylan Mendoza’s short story “Red Lipstick”, this is very much the case. Featuring a plot that is as mentally unstable as its protagonist and a venomous message towards the comfortable world of normality, “Red Lipstick” is a train wreck concoction of pleasure and poison, and despite its flaws of ignorance towards theoretical structures of gender and the plight of minority women in America, is a hot mess one cannot help but stop and observe.

 

The first defining feature of “Red Lipstick” that requires attention is the borderline psychotic nature of the plot and its events. Although short, Mendoza takes the reader on a trip into the mind of someone everyone knows but does not care to investigate further. Specifically, the story is of the plight of an attractive classmate or coworker, someone who seems to have it together, but is slowly cracking down into pieces. The transformation of these cracks into fissures appears to be the central focus, and as soon as the reader bites into the opening paragraph, Mendoza relentlessly kidnaps and drags them into his world. Regarding his motivations for writing this story, Mendoza says: “In writing this, I wanted to force readers to open their eyes and look at things they normally would not want to see. Everyone has secrets, and I wanted to drag those out of someone I feel every college student would know.” And for the reader, exploring the secrets of protagonist Catherine Yamamoto is guaranteed to be an uncomfortable experience. From the dramatics of the opening scene, to Catherine’s monologues on contemporary romance, Mendoza is not afraid to say things that not many would want to say and go places most would probably rather not go.  Taking these words into account, it is perhaps more appropriate to compare reading “Red Lipstick” to a brief albeit violent tryst with a jilted lover, for it definitely seems Mendoza is out to punish the very societal values and structures he takes issue with. Truly, as much as one may want to stop reading, the reader will not be able to stop until the climax of the story is reached, where the insanities of the plot and protagonist are explained and probable to leave the reader wondering what just happened and what they just read.

 

However, as exciting and intriguing “Red Lipstick” may be, it does possess its flaws, which are mainly ones of ignorance. When writing about women and ethnic minorities in America, it is especially important to keep in mind the oppression they face on a daily basis, as well as the unique space in American society they occupy. Failure to address these issues can lead to the utilization of minority women as a tool, reducing them to mere tropes or objects, and one could possibly argue this is the case of “Red Lipstick.” However, before drawing this conclusion, one has to wonder, why does Mendoza choose an Asian American protagonist? Nowhere in the story are any kind of stereotypical or orientalist images of dragons, cherry blossoms, or martial arts present, and furthermore Catherine herself does appear to be a “geisha girl” or “dragon lady” as well. So what exactly is her role in the story as a minority? Perhaps ultimately Catherine’s race is something that simply takes a backseat to the main events of the story of the deterioration of her own mind. Mendoza presents her as just another person, and not once is she “otherized” or “exoticized” throughout the story. Rather, Catherine’s struggles with loving herself and getting through life represent everyone’s struggles with societal beauty, and Mendoza seems to be suggesting this by not making her race an issue of contention. That is of course, until the story’s conclusion, when it is revealed that “Catherine Yamamoto” was actually born “Jacob Landry”, revealing that for the whole story the protagonist was actually a white male to female transsexual in transition. Examining this development critically, it appears to be nothing more than a copout to avoid advanced critiques on race and gender performance.  While it is lamentable that Mendoza chooses to avoid such critiques, perhaps his next work will address such matters.

 

            Furthermore, it needs to be said that Mendoza blatantly and ignorantly misrepresents the transsexual community. When it is revealed at the end that Catherine is actually a transsexual living in transition, he is implying that her mental issues of self-love and identity stem from this procedure without an in-depth explanation as to why. This is dangerous for many reasons, mainly because undoubtedly for transsexuals life is not only really difficult, but also immensely complicated. It is perfectly fine on Mendoza’s end to utilize this as a plot twist, but in doing so he needed to address the various social issue and pressures of the demons plaguing this community to provide an accurate portrayal. Otherwise, what the reader is stuck with is a shallow portrayal of the transsexual community that does not help at all in removing the oppression and stigma faced by said community. It is a shame he did not take this opportunity to help and explain, for it would have been a fantastic insight into a group so often abused as objects of entertainment and humor.

 

However, beyond all the good and evils surrounding “Red Lipstick”, what is perhaps most important to note is the message it conveys about society. What can ultimately be observed from Catherine’s journey is the decay and breaking down of an individual due to society’s strict and often unattainable standards of beauty. However, the biggest message “Red Lipstick” carries with it is what it says about gay men in America. In the end, the protagonist is not Catherine but Jacob and his plight as a gay male. Several times throughout the story, issues of beauty and desire are brought up, and upon examining her flaws Catherine often mentions her desire to just be “beautiful” and “normal.” Living life as a man attracted to other men caused Jacob so much pain that he went as far as to change his sex in order to join the heterosexual majority. This is a clear example of the effects of homophobia and social stigma on gay men in America, and it demonstrates the extent to which some will try to escape this oppression. It is of course necessary to say, however, that this is an extreme example, but seeing how Mendoza has a flair for stories and plots as flamboyant and crazy as he is, it is perhaps to be expected.

 

All in all, “Red Lipstick” is an entertaining trip to the heart of debauchery and depression bogged down by issues of racial and gender ignorance. Here, Mendoza has crafted a beautifully demented guilty pleasure one would be caught reading in secret of the romance novel section of their local Wal-Mart. However, as fun as it may be, the topics it covers definitely require more thorough research and explanation, and perhaps in his next work Mendoza will deliver a deeper work combining his knack for the explicitness of sensuality with a well-thought out commentary on society, race, gender, and sexuality. Until then, “Red Lipstick” provides a peculiar escape for those who seek it.