Mime Journal, founded in 1974, publishes articles and monographs on topics as diverse as François Delsarte, Noh/Kyogen Masks and Performance, Jacques Copeau’s Theatre School, and many issues about Etienne Decroux and his work. We aim to disseminate scholarship on Etienne Decroux, his influences and his students, to an audience of practitioners and scholars. We welcome submissions at any time.